I drew a sunflower in my sketchbook using pencil, then a black skinny Sharpie, and colored pencil over lines I liked and wanted to emphasize. After that, I watercolored over it. You can still see the bold, bright lines through the watercolors. Next, I photocopied it onto paper-backed fabric I bought at Jo Ann Fabrics. I'm going to fuse interfacing onto the back of it, then try some thread sketching. This is a new technique for me, so we'll see how it goes . . .
Here's one element of my "Memories of Santa Fe" quilt - the one I'll enter in the Parker Arts Center show. I cut a resist shape out of freezer paper, then brayered paint on my gelli print plate. To get the coral color, I sprayed with thinned dye, and it stayed put everywhere the resist had been.
Were we there only two days? We covered a lot of ground on this little getaway, and all of it good! If you go to Paonia, do not miss Azura winery. The view is fabulous, and the architecture is a breath of Tuscany. Lovely!!! Other great places are Fresh and Wyld Inn and Farm, Delicious Orchards, and the Wiseheart B&B. What a sweet little mini-vacation.
This is me; happy to have gotten a sideways tour of this gorgeous region.
There are a couple important regional shows coming up, and I'm well underway to create work that's good enough to get juried in - or at least the best work I'm capable of. I'm focusing on very bright colors, lots of texture, and subject matter that's close to my heart. The bird drawing on fabric is outlined with a brush point permanent marker to get the thick and thin lines. I then colored in it with Inktense water soluble colored pencils and heat set the fabric with an iron. The background is pieced with hand dyed and painted fabric from the studio.
Everyone bravely got their hands goopy with acrylic paints to stencil on the details first. When the paint was dry, it was time to spray the loose washes of bold color! I loved my ladies' results - the T-shirts turned out as individual as they are. Peggy's had a dream-like feel of the stars in the Southwest: (it reminded me of what the Native Americans call the "trail of souls"in the night sky). It had some lovely shades of cherry red with gold and teal. Carol's turned into a happy flower garden with soft pastels.Here it is in progress below.
When can you use red and green paint together without making mud? When you layer each color separately and let them dry in between. I ordered the new large (12 X 14) Gelli print plate online, and could hardly stand the wait until it came. I've been obsessively looking at photos of Gelli prints for a while on Pinterest and debating whether I needed one, or whether I should just continue making plates from gelatin. I love the gelatin plates, but they don't last and I can never get all the bubbles out of them. So, I coughed up the $60 and I'm glad I did. The Gelli plate gives you slightly different results since it's a dryer surface, but I'm liking what I'm seeing so far. There's a complexity and a bit of mystery in the layered prints.
Due to some health issues, I had to switch the April class to Saturday May 17th. So, I hope to see you then at the Blue Twig Studio in Colorado Springs at 10am. This technique is so ideal for folks who want something subtle and with exciting results for very little effort. You don't even have to draw!
I sprained my knee on Tuesday, but while I'm recovering I can still make good use of time doing small drawings and paintings in my sketchbook.
I used craft acrylics and a couple old foam prints to make the moth and flower texture in blue on the right. I drew the letters for "Fly" in pencil and added some auras with water soluble colored pencil. I also lightly painted over the permanent marker drawing underneath the bottom of the fish. The fish itself came next - I copied and cut it out from a drawing in my sketchpad. I'm happy with the colors. I could shrink this down and use it on fabric art. Hmmmm?